Atmosphere

danling.com   studio

stu·di·o (st¡¹dê-o) noun 1. An artist's workroom. 2. A photographer's establishment. 3.An establishment where an art is taught or studied: a music studio. 4. A room or building where tapes and records are produced.  [Italian, from Latin studium, eagerness, application. See study.]

Current Music Samples

Title

Length

Filesize

Manic's Swamp

~9:58

14.7 MB (192kbps mp3)

Hipradahay

6:32

6.1 MB (128 kbps mp3)

Fusit

2:40

2.5 MB (128 kbps mp3)

Across The Distance

9:39

18.6 MB (313kbps wma)

Chicxulub

3:18

3.1 MB (128kbps mp3)

UNFINISHED STUFF (none of these tracks are in their final state yet):

  • Manic's Swamp is a soundtrack I started for a writer friend of mine who lives in Belfast, Ireland.  The main character of many of his stories, Manic, is a recluse who lives in such a swamp, and on this occasion he's enduring a night of listening to the sounds of a city he despises.  The whole thing so far is entirely an audio recording.  No midi, editing, or even mixing was done.  It was all played on the Alesis exactly as you hear it (through a Lexicon MX200).

  • Hipradahay is the first tune I ever constructed from loops.  The rhythm track is entirely composed of pieces of loops that I constructed myself using a freeware program called Hammerhead.  The sound quality of the percussion loops is pretty bad, but it was fun and different.  On top of that, I've recorded a single track - an "acid rock" synth solo.  So the tune is nothing but a single improvised solo on top of the  rhythm track.  The current version is improved slightly from the original, with a smoother synth sound (using two MXR analog flangers) and some reverb on the loops to finish out the tune.

  • Fusit is another very simple improv on top of a rhythm track, though here the Roland drums are of a higher quality.  I improvised a Rhodes piano track and a Minimoog bass track.  Totally rough and unpolished at this stage...

  • Across the Distance was recorded in October 2006 after being asked to record a new piece as a "tribute" to a forum I frequent.  A piano solo performed on the Alesis QS8 synthesizer was the easiest way to do it.  I just sat down and played the one track so what you hear is unedited (and full of mistakes) and that's the way it should be!  I do wish it could have been a real acoustic piano.  When I sit down to play the synth-piano I feel like an alien and you might hear that I'm just getting warmed up toward the end of the piece!  I am thinking about perhaps trying to record a solo on a grand piano at work one of these days, though that might pose challenging with my equipment.

  • Chicxulub - You may own one of the copies of Late Night Report that includes the bonus track Chicxulub, which was the first track recorded for the next CD.  It's a sort of rambling Spanish "guitar" solo, which made me think of the location of the Cretaceous-Tertiary asteroid impact site at Chicxulub.  This track contains a style of synthesizer playing which emulates guitar intonation.  Ah, but guitars only have 6 strings! ;)

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